A few years ago I purchased a small, cornflower blue journal with a golden inscription, “One Line A Day – A Five Year Memory Book.” I began making entries just before Jonah turned three when he was ardently discovering the world and slowing my pace so that I might have the pleasure of noticing whiskers on cats right along with him. Adrian was a chubby 8 months old who consumed a diet of avocado and raspberries with abandon—remnants often strewn across his kissable cheeks and our dining room floor. In the tiny space given for each day, I wrote brief impressions about the resonant—yet mostly mundane—moments of our lives. I was hopeful that with a meager single-sentence commitment that I would be steadfast in my resolve to take note and remember these precious times. There are multiple mentions of our blue push car which must have clocked 1,000 miles as we trekked to Shore Road in all manner of weather. I began writing my blog in that year and professed my gratitude repeatedly for this new outlet of expression. Oh, and the snow, there are so many descriptions of the beauty of living in a virtual snow-globe. I do not know why I stopped writing so abruptly. I do remember the struggle of keeping track—of missing days and trying to write backward in time. I’ve since thought a lot about memory. I’ve thought about the stories we hold sacred for our children—and for ourselves—so that we might offer them a framework for their lives. I’ve thought about what it is I remember from my own life and the reasons why. Years have since passed. My boys have grown and expanded and transformed before my eyes until they just burst forth from their place as the tiny innocents within our constant care into these gorgeous, autonomous creatures firmly taking up their very own space in the world.
We are at a local, annual pumpkin festival. We’ve been coming here every season for about six years. It’s quite chilly and many of the hundreds of beautifully carved pumpkins lining the grounds are partially green. We’ve had a rocky start to our afternoon with tears over coats being worn and other general manifestations of tiredness. Feathers unruffled now, we stride up to the festivities and take part in “gourd bowling” and a beanbag toss. Soon we run into “Pumpkin Pete.” He is a familiar fellow with his spongey, orange costume and human body hidden from sight. Jonah strides up to him and reaches out to shake his hand. We smile reminding him of how afraid he used to be of this costumed character and he does a little impression of that faraway time. Adrian grabs my hand so that he might fearlessly go more near. Together we take a photograph. Next we notice giant bubbles in the distance—over by where the band will play later. There is a man there who is using an unusual apparatus—likely of his own construction—in order to create enormous bubbles in various forms. He has configured two long poles tied together with a network of thin rope. With the poles he dips the rope down into a soapy solution then raising them back up into the air he swings them about forming these magical—and enormous—otherworldly creations. Jonah and Adrian at first stand mesmerized. Then they go jumping about with the other children in an attempt to reach these floating, light-filled orbs. Occasionally a taller child manages to catch the edge of a bubble and the soapy liquid comes splashing down on the crowd. This happens just above Adrian. I use my gloved hands to wipe suds from his hat, from his long eyelashes. The sounds of 1980’s popular music fill the air, children are laughing and jumping all around, the bubble man looks on grimly as he works to keep his magic bulbs appearing with so many bouncy children in his midst. I find my eyes fixed on one very large, lone bubble as it travels above the crowd and begins floating further and further away, rotating and expanding and changing shapes as it goes.
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