“Clouds symbolize the veils that shroud God.”—Honore de Balzac

My head has been in the clouds these last few days—the sky scape with its disparate displays drawing my attention upward. Throughout the day, the clouds are spread out like puzzle pieces awaiting connection, their texture like stretched wool, the colors muted with pastel blues and the slightest tint of pink separating the willowy masses. The canvas of clouds feels near—hovering—almost as if it belongs to another planet, another world completely.

At sunset a vast contrast occurs—the sky dividing into fragments of intense streaks of sienna and amaranth pink. Thin slivers of bright, golden light divide the layers of color. Tall pines become black towers in the foreground of the vibrant display as we drive through forested lands, peering for a glimpse of the setting sun.

The clouds at this hour disappear all together.

As an early-riser and also sometimes-keeper-of-the-night, I mostly collapse into bed dead-tired, falling off to sleep within moments. I fall asleep mid, “thank you,” a parade of images from my day flooding through me. I like this feeling. I watched my father work himself to the bone for much of my life and I’ve come to understand the impulse— the easing quality of meaningful hard work—and the contentment of collapsing at the end of the day, mission accomplished.

Occasionally, I will prioritize sleep, aware of the opportunity to be transported to a healing and renewing place. I dream more vividly and grasp for the messages imparted. I wake up feeling as if my brain has been reset. I recently got into bed before I was bleary-eyed sensing that it might be a while before I slept. I laid on my back—a heavy, down blanket covering me—and placed one hand on my abdomen and the other on my heart. I dropped down into myself—like falling into a vast, dark night’s sky. I might have been a feather floating in space.

I was aware of my spine but I experienced everything else as pure energy. At first, there were clouds huddled in my midst—bunched up and stormy—heavy—especially around where my throat and lower back might have been. I noticed a part of myself that began winnowing out the particles of these billowy vapors, freeing them to return to their rightful place. The essence of me was like a sheet being pulled back taut and tucked in.

I drifted in the wake of this movement noticing a greater buoyancy of my being, noticing a sense of having been recharged and made right again.

Jonah is nearly nine years old now. The top of his head rests at the top of my sternum and he likes to show how strong he is by picking me up. He bends at the thighs—creating a firm center of gravity—and wraps his arms around me mid-leg, lifting me into the air at an angle—like a rocket ready to be launched.

I feel like I might topple over and yell, “that’s enough, that’s enough!” He insists in his demonstration I not hold onto anything. I try to be a good sport and cooperate, tightening my body like a dancer in a lift.

Despite his strength, he’ll still climb into my lap and let me hold him. I wrap my arms around his waste or chest hoping we’ll always be so close, knowing it is impossible.

When he was littler and would sit in my lap, I would sometimes pat him on the back almost like I was playing a drum. Once his spritely friend was over and I was patting his back and she exclaimed, “why are you beating him?” She laughed and laughed. Whenever I did that to him—and I sometimes still do—it felt like I was helping him to come more fully into his body. It felt like I was grounding his airy nature and securing him onto the earth.

Yesterday I had intended to begin working on the second part of a two-piece creation in my, “Free to Play” art project. I had first created an image of my younger son Adrian leaping off of our back porch—his pocket goldfish-orange. I planned to create an image of what precipitated the jump—the crouch before the launch.

I went in search of the tracing paper I use in the first phase of the work and saw—and remembered—that I had finished the roll. I didn’t have time to go out and buy more materials before school pick-up so I began looking around to see if there were some scraps of paper I could tape together and use.

I couldn’t find any but I did come across a sketch of a woman—folded over in grief—that I had worked with previously.

I felt inspired to return to that image with the time I had. I could feel myself returning, also, to the original joy of this process without the constraints of planning and instead following an inner guidance system that drew me to particular colors and textures and shapes and showing me how to piece them together in an intuitive way—like a puzzle put together in the dark.

As I worked, I noticed a thinning out of the energy within me—the bunched up places unfurling and returning to balance. I felt a sense of relief and as if the atmosphere was clearing and a thousand tiny lights were being switched back on—brightening the way and returning me to firm footing once again.

 

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